Two deaf half-siblings of indigenous origin live as a couple in Mexico City’s outskirts. Nada works as a janitor in a fancy gym, while Ave does the same in a gay sex club. Ave wants to father Nada’s  child but she strangley refuses any intercourse with him. Since she has joined the Jehovah's Witnesses and has become obsessed with the verses of the Song of Songs, the couple’s life seems to become mythical. Iván, a young mysterious businessman, tries to seduce Ave at his work. Being rejected, Iván becomes increasingly obsessed with Ave and his partner. When Nada miraculously gets pregnant, Ave decides to accept Iván's friendship and financial aid. In a tragic twist of fate, Iván finds Nada alone at her work when the venue is closed. After trying to seduce her, he sexually attacks and strangles her. It is then we discover that he is the owner of the two businesses where the couple worked.

Created in 1946, the School of the Americas served the purpose of training Latin American soldiers to promote the democratic values and to develop a better understanding of the United States. Reflecting the Monroe Doctrine (1823), the USA have defended tirelessly their political and economical interests in Latin America, often without worrying about the human rights. The key of this surveillance: The School of America, that welcomed 60 000 soldiers, including various militaries that have been a part of military coups. Tracing the history and the actions of this institution through archive images, the documentary will show how it has been one of the first source of destabilization of Latin America since 60 years, but also a tool for a new king of « american colonialism ».

Lucas is 12 and he lives with his father, isolated, in the middle of the dry outbacks in Bahia, an area harshly punished by the drought. His father is a severe and authoritarian cowboy. Lucas’ greatest wish is to run away from him. Lucas’ inspiration is the superhero in an old comic book comic that he keeps hidden under his mattress. One day a circus comes to town looking for candidates to fill clown a vacancy on the troupe. Lucas believes that this is the perfect opportunity to escape! But the challenge is not easy. He is a shy boy and has no comic talent. Also, everyone in town, adults and children, is thinking the same thing. Everyone wants to be funny to become a clown and escape the hinterland and the drought. But, surprisingly, Lucas is chosen as the circus new clown, and he travels on a journey that will take you where he least expected: the meeting with his father.

1976,  Julio Jaramillo, the most famous pasillo singer in history, the Nightingale of America, comes out of hiding in order to fulfill previously arranged engagements in Guayaquil, the biggest city in Ecuador. The excitement is palpable as Jaramillo takes the stage in front of a loving crowd that cheers with all the emotion they can handle. But this time around Julio’s voice betrays him; it’s weak, sick, only a notch above the voice of a cantina drunkard. As he finishes the song accompanied by horrible booing, Julio realizes he might have lost his gift: the voice that took him out of poverty and into the stratosphere of success in Latin America. Julio is about music and creation, about an artist trying to win back the love of his people through his music. It is the intimate comeback story of a popular idol. And it’s all true.

In 1936, at the sierra Tarahumara in Mexico, Rayenari is a young indian who is in his way to become a shaman. His life suddenly changes when he meets a strange poet named Antonin, who comes from a very distant land. At first the community feels threatened by the foreigner, but he slowly gains people’s trust. Antonin confesses to Rayenari that the purpose of his trip to Mexico is to heal his Soul. He participates in a ritual taking a sacred cactus and exorcizing his demons. When Antonin leaves the mountains, Rayenari starts having a lot of nightmares regarding his friend. With the help of a shaman, Rayenari can perceive that in France, Antonin is recruited in apsychiatric hospital, being coursed by dark sorcerers who perform electroshocks on him. Trough a shamanic process Rayenari visits Antonin in his cell, and with the magic of poetry helps him toescape in the only possible way: Death.

Pierre Just-Marny is, in the 60s, in Martinique, a 19-year-old boy, a kind of chief warrant officer of district, pigeon in an affair of criminal traffic. Blinded by a feeling of vengeance, he surrenders justice himself when he release of prison. He causes a shooting which entails the death of people who had other disadvantage no than to be on his path, in particular of a two-year-old child. In this country, which wears the stigmas of the colonization, the delinquent is going to carry values of rebellion and to be socially legitimized by a disadvantaged population which sees itself in him. He becomes the black panther. 45 years later, we authorize the prisoner Pierre-Just Marny to get back to his country within the framework of a request of parole. The collective imagination recovers in motion.

Afraid of living her oldness alone, Hilda decides to adopt Lia, a 14 years old who needs to endure a race against the time to become a professional athlete. Joca, her brother, is turning 18 soon and has to leave the orphanage even without a place to go. Lia tries to convince Hilda to adopt both of them and the woman starts to spend time with the brothers. At first, Hilda is intimidate with Joca's presence, but eventually she develops affection with the boy. Even so, she cannot consider adopting a grown-up black male. Meanwhile, Lia believes Hilda wants to adopt her to be a house keeper and is angry at Hilda ́s decision about not adopting her brother. In the middle of all of that, Joca hardens. He feels time rushing against him and runs away. Hilda, who just wanted to save herself, feels she needs to find Joca and help him. When they finally meet again there is only time to say goodbye.

In the jungles of Colombia’s Pacific region lies Timbiquí, a village inhabited by Afro-Colombians –once slaves in the mines and now miners themselves. Along the riverbanks, a few villagers continue to prospect using the same rudimentary tools handed down by their ancestors, trusting in Divine Willor the magic of Chango to guide them to a new mine.

Film based on a real story.  1860.

Horacio is a killer of Indians working for landowners. In a seaside pub, south of Chile, he meets Antoine, an eccentric Frenchman in search of a guide to explore Patagonia. Antoine wants to achieve the union of Mapuche tribes and create the kingdom of Patagonia. He pretends to be supported by the French government and to have a steady link with a big chief. But as a matter of fact, he is completely alone. Horacio accepts to go along with him in that utterly absurd adventure. But his actual aim is to take back his wife held back by the Indians. And to avenge her too. Nothing happened as they imagined. The camp they wanted to get to have been devastated by the Chilean army. The Mapuche Horacio wanted to kill and Antonio to be allied captured them into being slaves, working for the chief. An unexpected outburst of passions will be needed to invert parts once more, and the ephemeral miracle of the kingdom of Patagonia will happen.